Art to Art Pop Up show

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Art to Art in Balwyn are holding a Pop Up show starting on August the 23rd. All artwork available will be under $2000 which is fantastic for art fans that don’t have big budgets. I will have three works available in the show, and there are 30 other amazing Australian artists with work showing. 

 

 

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Make Something out of Nothing, 96cmx66cm Acrylic on MDF framed in Tasmanian Oak $1000

 

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Rebel Heart, 91cmx91cm acrylic on canvas $1250  

 

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Between Days 61cmx84cm Acrylic on Canvas $900 

 

The opening night is is from 7pm on the 27th of August and you can RSVP via this link: RSVP

Remembered Landscapes

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Remembered Landscapes is a collection of paintings that I have been working on over the last few months. They are all inspired by the Australian Bush and the Upper Yarra area of Melbourne and include a mixed series of both abstract and more traditional landscape paintings, all with a typical Clair Bremner twist.

 

The exhibition will be on display from the 6th - 22nd of September at Established For Design in Malvern East. I am really proud of this series and I am looking forward to seeing the work on display surrounded by a beautifully curated collection of furniture and homewares.

You are invited to the exclusive opening event. Please join us for an evening of art and drinks to celebrate.

Thursday 6th September, 6:00pm - 8:00pm

Established For Design
287 Wattletree Rd, Malvern East

[If you are interested in attending please click on the button below to RSVP for catering purposes ]


RSVP HERE

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Do you have a Sketchbook ?

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.... I have a confession. I am a sketchbook purchasing addict.  

I love buying sketchbooks, the new fresh clean pages, the potential and anticipation of filling them with pretty things. However, I am not that great at actually using them.  

 

At this point in time time I think I have four...maybe even five sketchbooks going at once. I usually have one in my bag, one in the car, one at my home and several at the studio. 

 

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I use them sporadically to sketch composition ideas, jot down names for paintings or ideas to sketch later. I also use them to brush up on my general drawing skills and some poor souls just get random pages torn out of them when I need to write down a shopping list or phone message. I have some that were really expensive and others that were just impulse purchases from discount stores. 

 

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I love the idea of starting with one sketchbook and filling in every single page with sketches and art but I just can’t seem to commit. I also love looking through older sketchbooks to see how my ideas have changed or developed. Sometimes I’ll come across old sketches that never made it to a full painting and I’m inspired to finally paint it.  

 

What about you? Are you a fellow sketchbook hoarder?  

Tools of the trade

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The main medium I prefer to work with is Acrylic paint. Over the years I have experimented with every art supply and material imaginable. Early on, while I was studying Viaual Art at TAFE,  I was actually using oil paint because I thought that you weren’t a “real artist” unless you knew how to use oil paint. 

As I have aged and matured I have realized how rediculous that idea is and that you can be a real artist and use whatever materials you like. I also always hated the messy cleanup process that is involved with oil paint. So once I started to get back in to painting on a regular basis I decided to use acrylics.  

The fast drying time, vibrant colours and easy cleaning qualities are all perfect for the way I work.  

I also use a range of brushes to create my art, all of them are cheap and some of them are not even “artist” brushes. I use nylon brushes, house paint brushes from the hardware store and a few mop style brushes that are meant to be used for stenciling or applying gesso but I like the scratchy messy marks that they make.  

 

 

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I am a terrible brush owner. I abuse them all the time. I let them dry out, or I soak them for days on end in dirty water. I use them to varnish and then forget to was them. I use them to scoop out blobs of paint, smoosh them into containers and clog them up. When they are dead I throw them out and buy new ones. 

 

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I use a few different brands of acrylic paint, but mostly Derivan Matisse, Golden Acrylic and Hydrocryl. I mix different brands together to make up my own colours as well as using colours right out of the tube. If I know I’m going to use a particular colour a lot then I will mix up a big batch and keep it in a plastic container with a lid. I also use Liquitex paint markers to add in some of the fine details on top. 

I paint on both stretched canvas and watercolour paper, I have my canvas custom stretched and sent to me and I purchase my watercolor paper in large sheets or pads. The canvas is 12oz cotton and the paper is always 300gsm cotton or above. 

 

Australian Natives

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I have always loved Australian native flowers, the shapes and colors are so unique and strangely beautiful. I will always love painting landscapes but every now and then I get the urge to create floral paintings instead. I’ve been spending a lot of time working on a series of new landscapes for a solo show in September. I find that when I focus on one thing for too long I go a little crazy and I need to work with something totally different. 

 

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Over the school holidays I started to play around with pen and Watercolour because I was at home and it’s all I had around. I created a collection of native inspired paintings which then spilled over onto canvas once I returned to the studio two weeks later. 

 

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These florals on canvas are bursting with native goodness such as Proteas, paper Dasies, bottlebrush and flowering Tea Tree. They are all 76cmx76cm and you can view more details via my website here http://www.clairbremnerart.com/shop/

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Open Studio 11th-12th November

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This year I'll be taking part in the Yarra Valley Open Studio Tour which is held over three areas and three weekends between September and November. The Warburton area will be on the 11th and 12th of November from 10am-4pm.  

You can come and visit me in my studio at 21 Woods Point Rd in Warburton (in the YREC Business Village opposite the caravan park). I will have original artworks for sale, including paintings on canvas, paper and a exclusive collection of hand painted original ceramics.  

 

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To find out more about the Open Studios, including the other participating artists, you can visit the official website at  https://www.yarravalleyarts.org.au/yvaopenstudios

Inspiration vs Painting

Here is a quick little peak into my process. The paintings for my upcoming exhibition were all directly inspired by the Yarra River. Some were sketched interpretations and others, such as this one below, were inspired by photographs.  

I never try to copy a landscape exactly, I always like to use my own interpretation which gives my paintings their imaginative and dreamlike quality. As you can see, although I was directly inspired by the photo, the finished painting has taken on a whole new feeling of its own. I tried to emphasis the feeling of the sun going down and the last warmth from the day hitting the riverbank to the right.   

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Last Light (152cmx101cm Acrylic on Canvas) will be in display during my exhibition Yarra, which is being held at Cambridge Studio Gallery in Collingwood from the 8th to 26th of March. There will be opening drinks on the 12th of March from 2pm, it would be lovely to see you there. 

 

Studio snapshots

Here is a little peek into the studio and what I've been up to lately. If you want to see more behind the scenes stuff make sure you subscribe to my instagram account.  

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I've started another piece for my new series. This will be in my show in March titled Yarra where I will be focusing on the local river scenes. 

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I finished (and sold)  this pretty piece. 

 

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I also completed this commission that was started before Christmas. I usually don't take that long to finish commissions but I have been away a fair bit these last few weeks.  

I have a big pile of canvases due to be delivered soon so it will be a busy few weeks. If you would like to pop into the studio to view anything in person then feel free to message me. I haven't forgotten about that Open Studio day either... it will happen soon!  

Store update | small original paintings

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I have just updated my store with a series of five small original paintings on canvas. These pieces are only 45cmx45cm (18inx18in) and are the perfect size for a gift, as a feature in a gallery wall or to brighten up a corner of your home.  

 

 

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They are all following a bit of a night time theme and feature abstract floral trees and a star filled sky. I painted several larger pieces like this a while ago and decided it would be fun to revisit the idea.  

 

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You can find them all in the shop originals section of my website. The price includes express shipping within Australia and if you purchase before the 14th it should arrive well before Christmas. 

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Still Water | art commission, Clair Bremner

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I recently completed another large scale commission for a client in Melbourne. This piece was inspired by a combination of two previous paintings that the client really loved. I'm really happy with the finished piece and I love working on this scale. 

The canvas is 2mx1m and makes a fantastic feature up on the wall.  

 

Still Water, 2mx1m Acrylic on Canvas, Clair Bremner

Still Water, 2mx1m Acrylic on Canvas, Clair Bremner

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This is the second last commission that I'll be working on this year. I have one more to squeeze in over the next few weeks then I'll be taking a break from commissions for a few weeks while I focus on creating a new collection for a show in March.  

 

If you would like to talk to me about commissioning and original artwork for your home or business next year then send me a message via my contact page.  

Does every painting need to have a story?

Many beginner artists start painting because they enjoy the process. They enjoy the feeling of mixing and adding colours to canvas, the challenge of representing something in paint, of creating something from scratch and saying “I did this”. It’s for the love of it.

If that desire to create goes further and they begin to feel as though this is how they want to make a career, a whole other world of problems are opened up. When moving from the world of amateur into professional suddenly there is a whole new set of expectations put upon you. Suddenly you can’t just create something just because you want to, because people will begin to ask that one elusive question…why?

Collectors, critics and fans will begin to want to know why you are doing something, what is the deeper meaning behind it. What message are you trying to get across? What point are you making?

To begin with I really struggled with this. Even way back when I was completing a Diploma of Visual art (back in 2002-2004) I would be asked by my tutors “what are you trying to say with this piece”…my answer would be a shrug of the shoulders followed by “I dunno”.

I was never interested in creating a political argument with my art. I never had religious views that I felt needed to be expressed or a statement that I was trying to make. As a result I always felt inferior and as though my work wasn’t worthy of anything important because I wasn’t trying to make a point or send out a message. Everyone around me was creating artistic statements and deep hidden messages within their art about the environment, racism, social issues, feminism…the list goes on. There is of course nothing wrong with that, but I personally really struggled with it…because I didn’t have any. Even back then, all I wanted to do was make pretty paintings, but that never seemed to be enough.

So does every painting need to have a story?

It has taken a very long time for me to realize that the answer to that is…no. It is ok to create purely for the love of creating. It is ok to not have a deeper meaning behind each stroke of the brush. There is nothing at all wrong with painting JUST because you want to paint. Does that make my art shallow? Not at all!

The purpose of my art is not to make a statement, first and foremost I want my paintings to be seen as beautiful. I want the viewer to look at it and say “wow…that’s so pretty!”. I want to create a reaction within them that sees the piece for exactly what it is….a pretty picture. I want the colours to be pleasing to the eye, calming and attractive. I want the shapes and composition to remind the viewer of nature and tranquility. I want the details and textures to be noticed once the view comes closer and becomes engaged in the piece. I want them to be able to look into the layers of colour and pattern to see the work and process involved. I want them to WANT to have this hanging on their wall in their home and not have to explain the deeper meaning of it all to everyone that comes over.

In my opinion, creating something that is beautiful, peaceful and calming to look at is just as important as creating something that is challenging, thought provoking and has a strong message to put across. There is a space for both within the art world.

Now all this being said, some of my paintings do have more of a story to them than others but that story usually has more to do with what inspired the piece than a particular subconscious message I’m trying to make. For example if someone approaches me to create a painting based on a mountain view near their home, and I am to include the flock of pigeons that the neighbor releases each afternoon into the skyline…then obviously this piece now has a story connected to it.

Or if as I am creating a painting, the images that are coming forward remind me of a particular time or place or event then I can happily match up that piece with such story and give the painting more meaning. But at the same time I no longer feel the need to do this with ALL my paintings. Sometimes it is just what it is and nothing more. The piece was created spontaneously with little to no thought and it is now just a pretty picture.

What do you think? Do you have trouble finding meaning in your work? Or do you totally disagree with me and believe that if there is no meaning behind it then there is no point creating it?

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Making a start | how to stop being scared of a blank canvas

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Blank canvases are scary. Anyone that has stood in front of one will know this. The stress that you can feel sometimes is crazy. You worry about ruining that perfect white flat surface. You don't want to mess it up. What if you make a mistake? What a waste! 

Then you have to think about what you are actually going to paint. How do you decide? How do you pick one idea out of a million that are in your head?  

Its a struggle.  

The easiest way to get over this overwhelming fear is to just do it. Pick a colour (or three) and cover up all the white. Just slap it on. It doesn't matter how just cover it up.  

There you go... the white is gone. The canvas has been messed up and now it doesn't matter what you do next.  

Even now, after painting pretty much my whole life I still have that fear and anxiety when starting a new piece. Even when I know exactly what I need to do, I procrastinate starting because I worry that I will ruin it. But as soon as I cover the surface with paint the feeling disappears and I can focus on getting the work done.  

 

 

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Pretty new commission

I have been working on another big commission over the last week that is now finished. This one was 2mx1.5m and inspired by the colours used in another painting of mine.  

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Some paintings are easier than others but this one practically painted itself. Everything just came together naturally and it wasn't a struggle at all which made it a joy to paint and I think it shows through in the painting. 

 

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If you are interested in commissioning an original artwork for your home I am now taking bookings for next year. You can contact me through my website to discuss prices and details.  

48hr Sale!

I will be moving out of my home studio into a space in town in a few weeks and i need to clear out some old stock. With this in mind, I have just reduced the price of the following two paintings for 48 hours only. This price includes shipping within Australia (international customers please contact me for a shipping quote).

(please note: these paintings are available to buy on other websites however this sale price is only available through me and by clicking on the links provided)

A Place of Secrets (SOLD) is the last piece available from my A Years Growth exhibition earlier in the year. It is 122cmx107cm, acrylic on stretched canvas and was originally $1700, now it has been reduced to $1200 for 48hrs only.

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I have also placed Shades of Summer on sale, this piece has been taking pride of place on my studio wall for long enough. It needs to find a new home. It is Acrylic on Stretched Canvas, 137cmx101cm. Original price was $1800, it is now reduced to $1200 for 48hrs only.

To purchase click on the buy now links or send me an email (please note: these paintings are available on other websites however this sale price is only available through me and by clicking on the links provided)